Chart run: Billboard Hot chart run: Kelly Clarkson kicked off back at the top of the charts, and her record label was determined to keep things that way with a song co-written and originally recorded by Katy Perry.

Background

RCA disproved the article source taken on her previous album, My December. So, All I Ever Wanted was all about RCA flexing creative control over Kelly Clarkson ; pretty much everything about the album — from the pop-orientated sound hook the vivid artwork and bombastic visuals — felt intentionally designed to https://passive-income.info/first-hookup.php the ostensible failings of My December and click at this page closer to the formula that saw Breakaway sell over 12 million copies.

RCA and Clive Davis knew exactly what they wanted to achieve and were rewarded for taking such a strong-arm approach. Though download sales certainly played their part, radio support had also been strong, so there was now the question of how best to capitalise on that.

I Do Not Hook Up

It was one of two tracks on the album co-written by Katy Perry the other being Long Shot. Between those times, Katy Perry had developed material for two planned albums that were cancelled due to changing record labels. Yet I Do Not Hook Up never fully explores that complicated dynamic with the same level of candour Kelly Clarkson often brought to her own writing. That moment shows I Do Not Hook Up at its anthemic best, with a genuine sense of stadium-ready, fist-pumping energy.

I Do Not Hook Up

Setting aside any quibbles about whether this was the right second single — or indeed should have been released at all — just for a moment, taken at face value, I Do Not Hook Up is perfectly enjoyable for what it is.

But that does end up coming at the expense of a narrative which not cohesive with the song itself. I Do Not Hook Up revolves around her encountering a handsome waiter at a garden party and later a guy playing pool in a tavern. In both situations, a fantasy sequence ensues where she loses her inhibitions and hooks up with them. The waiter, thus, ends up being thrown onto the table, with Kelly Clarkson crawling on top of him, much to the horror or, in some cases, excitement of the other guests.

Katy Perry

After a few seconds, she rises to her feet, cheers, and the track restarts. The thing is, neither scenario makes any sense in relation to the song unless the insinuation is that the lyrics are a bluff and Kelly Clarkson actually does want to hook up. There are some positives; her likeable personality is very much at the forefront, and obligatory performance shots with a live band interspersed throughout are full of energy. Overall, though, the video treatment seems to have totally misinterpreted or willingly ignored what the song is actually about, which seems odd learn more here hindsight.

Furthermore, the song seemed only to have a modest impact on sustaining interest in the album, which experienced a steady katy trend. Particularly as the album campaign never recovered after that. Many of the things it does right as a song are valid criticisms of it as a perry. There is, unquestionably, a sense of go here track coming across like the product of a record label brainstorm session, which ultimately resulted in a derivative version of the sort of stuff Kelly Clarkson had already done much better.

Yet, the legacy of I Do Not Hook Up or lack of has more or less corrected whatever misgivings people may have had at the time. Related posts:. Post Author: cantstopthepop.