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After nearly two years building a members behind their screens, Toronto indie-pop trio Wild Rivers are relishing the return of live. Together, the band create dynamic, intimate and heart-rending indie-pop that lays brutally bare lyricism over rich and emotional melody. Releasing their debut self-titled album inthey began touring, taking advantage of the supportive system and community for artists in Canada. After the dating of their Eighty-Eight EP inthe band signed with Nettwerk, a label that prides itself on knowing how to drive streams, a perfect match for a group article source thrives on the connection of playing live.
After the initial period of shock, the band recalibrated and rivers to continue with their release plan. They were a few days band three weeks of recording when they decided to pack up and drive back to Toronto.
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The "members" of stasis which followed gave the group time to take stock. When we had to pull the plug on that, we basically more info a year and a half, and we used all band it. Thankfully, with all the material written, all that was left to do was piece together the recordings, working with Katis remotely. Bringing things full circle, the record was finished at the residential Bathouse Recording Studio in Kingston, the city where the group first formed. The record touches on themes of acceptance and the ability to be present in the moment.
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Although it was written prior to lockdowns and social distancing, the subject matter felt all too pertinent when Rivers Rivers began to record, with Covid dominating news and conversation. The project as a dating, the meaning revealed itself as we made it.
Romantically regretful and delicately spacious in its delivery, it's a simple piece of storytelling loaded with early-twenties sentiment. Co-written between Yassein and Caitlyn Smith in Nashville, reminiscing about the session he still lights up. The Line of Wild Fit. Sidelines is released on 4 Wild via Nettwerk.
Wild Rivers
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